![](https://pro2-bar-s3-cdn-cf1.myportfolio.com/cf2fc5a694928ab3883c64f41a64d4b8/9b7b17c7-ad2d-42b9-98b1-ef9adf5b3e3c_rw_1920.jpg?h=fbce0ff33511c141d7d675cfdab01af7)
Installation view of 'Shelter' at ARPRIM, Montréal, Québec, 2019
![](https://pro2-bar-s3-cdn-cf1.myportfolio.com/cf2fc5a694928ab3883c64f41a64d4b8/cadab2fd-f86e-4fa2-83d5-4ae6875f4bdd_rw_1920.jpg?h=31b8ec963cb73adb07f9cb1ea485d601)
Installation view of 'Shelter' at ARPRIM, Montréal, Québec, 2019
![](https://pro2-bar-s3-cdn-cf3.myportfolio.com/cf2fc5a694928ab3883c64f41a64d4b8/e014f6a5-b816-406b-87c9-ec3cf6119d8a_rw_3840.jpg?h=db6f576df32706971aa738d4180ed440)
‘Opening scene: Faggot.
(Incitement to set a fire )‘
Image transfer, pine wood, gesso, reflective safety tape,
2019, 2” x 2” x 78”
![](https://pro2-bar-s3-cdn-cf6.myportfolio.com/cf2fc5a694928ab3883c64f41a64d4b8/71ed97d8-7b1a-4b3d-8bf5-7241b7b6c029_rw_1200.jpg?h=d5ec9f9ca0f06c629e06c9277a2211b7)
‘Crisis Identity’
Photocopy print image transfer on tyvek, polyethylene sheet, cement, gesso,
2019, 24” x 36” in.
![](https://pro2-bar-s3-cdn-cf.myportfolio.com/cf2fc5a694928ab3883c64f41a64d4b8/8d83a8bb-5eaa-4d43-8d64-9b9ab48b885b_rw_1920.jpg?h=6694e015531c81c390b869e15be2941e)
‘Crisis Identity’
Photocopy print image transfer, concrete, gesso,
2019, 24” x 36” in.
![](https://pro2-bar-s3-cdn-cf2.myportfolio.com/cf2fc5a694928ab3883c64f41a64d4b8/d0052c3e-c4e9-4652-bc09-c70baf47af68_rw_1920.jpg?h=bc3d82cdc000037bff2d5497f159d839)
‘Crisis Identity’
Photocopy print image transfer on geo textile, gesso,
2019, 24” x 36” in.
![](https://pro2-bar-s3-cdn-cf6.myportfolio.com/cf2fc5a694928ab3883c64f41a64d4b8/78a54db1-89dd-458d-8a6f-0ccf8da2d92e_rw_1200.jpg?h=6f421168516615e6005294a3a4361dee)
‘Crisis Identity’
Photocopy print image transfer, printed tyvek, gesso,
2019, 24” x 36” in.
![](https://pro2-bar-s3-cdn-cf3.myportfolio.com/cf2fc5a694928ab3883c64f41a64d4b8/45d87105-c69e-4879-8894-db9dd62a56e5_rw_1200.jpg?h=da70500f4f2f6dcf234fedadcdcea05b)
‘Crisis Identity’
Photocopy print image transfer, concrete, gesso,
2019, 24” x 36” in.
![](https://pro2-bar-s3-cdn-cf.myportfolio.com/cf2fc5a694928ab3883c64f41a64d4b8/81536482-6a0a-4275-b310-76a3b7ac0b61_rw_1200.jpg?h=cb9b9b8f5989defeea11769f7384b4a3)
‘Conflict, and Resolution’
Photocopy print image transfer, acrylic, plaster coated gauze bandage, 2019, 52” x 46” in.
![](https://pro2-bar-s3-cdn-cf.myportfolio.com/cf2fc5a694928ab3883c64f41a64d4b8/b3605b88-973e-44bb-a64f-fd7c5472446a_rw_1200.jpg?h=570dfc68d49be6b5639abc883ab46fca)
Shelter built from pieces of you and I.’
Overpass print of bedsheets on Tyvek, 2019, 30” x 40” in.
![](https://pro2-bar-s3-cdn-cf.myportfolio.com/cf2fc5a694928ab3883c64f41a64d4b8/80f96fdf-b07b-4228-a2e2-b79ba44efcea_rw_1200.jpg?h=586ae763b45cd51b36ea2927292f4324)
Shelter built from pieces of you and I.’
Overpass print of bedsheets on Tyvek, 2019, 30” x 40” in.
![](https://pro2-bar-s3-cdn-cf2.myportfolio.com/cf2fc5a694928ab3883c64f41a64d4b8/399270f8-38f8-4406-b35a-dfe358a90fee_rw_1200.jpg?h=20a057681c35426f56070c814d176b7b)
Shelter built from pieces of you and I.’
Overpass print of bedsheets on Tyvek, 2019, 30” x 40” in.
![](https://pro2-bar-s3-cdn-cf4.myportfolio.com/cf2fc5a694928ab3883c64f41a64d4b8/514839ba-53fa-4976-9321-352b3bc42c48_rw_1200.jpg?h=801cf93365defde8128108291d7abcea)
Shelter built from pieces of you and I.’
Overpass print of bedsheets on Tyvek, 2019, 30” x 40” in.
![](https://pro2-bar-s3-cdn-cf1.myportfolio.com/cf2fc5a694928ab3883c64f41a64d4b8/94489887-ea9c-402f-9bca-190fe442d779_rw_1200.jpg?h=864954f95782a4e4ff3b1ccf9badb497)
‘Landscape like music for end credits’
Polyethylene sheet, process print off cuts, suit, shirt, shoes, concrete core samples,
2019
![](https://pro2-bar-s3-cdn-cf6.myportfolio.com/cf2fc5a694928ab3883c64f41a64d4b8/abe12cbc-4eb6-4b37-a3d3-262fa6f60e3f_rw_1200.jpg?h=673fc88a39b56c8585c3adcbdf1de435)
Installation view of: 'Allegory to a Plotline'
Duratrans print, birch wood light box, 2015, imagined size that would stretch across the circumference of the earth.
Text in lightbox print: 'THE SMELL OF BURNED RUBBER AND GASOLINE AFTER A LONG DRIVE, THE WAY YOUR FINGERS TRACE ACROSS MY SKIN.'